Recast explores the societal implications of design and technology. We do this in this bi-weekly newsletter and every fall at the Society 5.0 Festival.

Recast explores the societal implications of design and technology. We do this in this bi-weekly newsletter and every fall at the Society 5.0 Festival (October 31 & November 1 2023).

#20

EPISODE TWENTY

How sci-fi props can help us design the future

Marije de Haas | Head of Programme of the Master Digital Design | Amsterdam University of Applied Sciences

This week’s author has written her contribution in English. We are currently exploring possibilities of making Recast bi-lingual. We’d love to know your thoughts. Send your feedback or tips to recast@hva.nl or our LinkedIn-page.

Have you ever imagined taking a shower in a world where water has become scarce? Scientists, designers, and filmmakers ponder such questions, and their creativity in answering them may shape what lies ahead. Science fiction has long been a source of inspiration to explore possible futures. One powerful tool within the realm of science fiction is the so-called diegetic prototype: an imagined tech-based artefact that does not (yet) exist in the real world, but is fully and believably functional within a fictional world.

Diegetic prototypes offer a unique opportunity to think about futures and their potential consequences. They can be used as embodied thought experiments, also to envision the consequences of design decisions.

Diegetic prototypes in action
Let's examine some examples of diegetic prototypes from science fiction and how they are used to explore technology in the future. I chose these examples not because they play a significant role in the story, on the contrary: they do not play any role in the story at all.

Instead, they are seamlessly woven into the fabric of the reality in which they exist. As such, they create a plausible canvas for that future reality.

Personal hygiene

Star Trek Enterprise, episode “The Catwalk”.

Star Trek has an exhaustive list of innovations based on scientific thinking, such as dental care. In the imagined future of 2152, Ensign Hoshi Soto uses a sonic toothbrush to clean her teeth. Sonic cleansing does not need water, it’s solely based on vibrations to clear surfaces from debris. This concept has found its way into our contemporary world. For example, the Philips Sonicare toothbrush.

Star Trek Deep Space 9, "If Wishes were Horses"

Star Trek takes sonic cleaning a step further by introducing Sonic showers, presumably to preserve water which is hard to come by in deep space.

Bladerunner 2049 (2017), Denis Villeneuve

We see another approach to showering and mitigating water use in Bladerunner. The super-efficient shower notifies its user of the water quality. Again, the shower does not play a significant part in the movie, but sets the scene for the main characters reality.

Starship troopers (1997), Paul Verhoeven

Starship troopers imagines the Earth governed by the militaristic United Citizen Federation, fending off an alien invasion. The director introduces us to a mixed-gender crew, and gender neutrality is taken as a given as we observe the crew taking a shower together.

'Healthier' smoking

The Fifth Element (1997), Luc Besson

The Fifth Element is a science fiction movie set around an existential threat. It is set in an urban setting in the 23rd century. The director has considered both small details that remain the same, as details about how things might develop. One example is smoking. In 1997 smoking was much more common, but its dangers were well known. The cigarette prop features a huge filter to, presumably, mitigate the dangers of smoking.

The power of diegetic prototypes

A diegetic prototype is a fictional concept that is an integral part of the narrative. Unlike traditional prototypes, which are tangible physical representations of a concept, diegetic prototypes exist within a broader narrative world with its own coherent logic. They are designed to serve a specific purpose within the story, like solving a problem, advancing the plot, or highlighting ethical dilemmas.

Diegetic prototypes are often developed around weak or strong signals of contemporary trends. They are used to anticipate potential future developments. Some contemporary strong signals are: sustainability, diversity, feminism, polarisation, capitalism, data privacy, data economy, hyper-personalisation and artificial intelligence. Weak signals are harder to find, good places to look are at the fringes of society – the stickers on lampposts, the graffiti in toilets, the grass-roots activist movements. There are also medium-to-weak signals, like value based economies, de-growth, the no-shower movement or anti-social algorithms.

Diegetic prototypes have unique qualities that make them valuable tools for thinking about the future:

  1. Immersion: diegetic prototypes are woven into the fabric of the story, allowing readers, listeners or watchers to immerse themselves in the world in which they exist. This immersion makes it easier for audiences to suspend disbelief and engage with technology on a deeper level.
  2. Contextualization: diegetic prototypes are situated within the narrative context, which means they are subject to the rules, limitations, and social dynamics of the fictional world. This contextualization helps us understand how a technology might function in a real-world setting.
  3. Ethical exploration: diegetic prototypes are often used to explore ethical questions and dilemmas. By placing characters in situations where these concepts have consequences, authors can prompt critical discussions about the moral implications of real-world technological advancements.

WHAT MAKES THIS
INTERESTING?

Diegetic prototypes are valuable tools to think about the future and the consequences of new technologies. By immersing ourselves in these fictional worlds and engaging in thought experiments, we can better understand the potential risks and benefits of real-world technological advancements. In an era of rapid change, using diegetic prototypes as applied or embodied thought experiments can help us make more informed decisions and shape a future that aligns with our values and aspirations.

Experiments with diegetic prototypes
At the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam) we love to make use of diegetic prototypes in our own work and educational programmes as well. For instance, our students from the Master Digital Design are now working on an applied thought experiment for hotel and co-working space The Social Hub. They investigate what future hotel life might be like and what consequences this may have for the hospitality industry. 

Sneak preview of the student project (photographer: Akhil Sukumaran)

Students will develop diegetic prototypes for specific locations: the hotel room (considering sleeping, hygiene routines and working), public toilets, public consumption spaces, liminal spaces (stairs, lifts, corridors), and meeting spaces. These prototypes are tied together around a central narrative: in 2053 people are trying to work out what happened to Sora Kim who mysteriously disappeared. They had booked a long-term stay at the hotel. We find traces of them throughout the hotel: from their hotel room that they suddenly needed to leave, to the various futuristic spaces the hotel has to offer.

If you want to investigate this mystery yourself, visit Society 5.0 Festival, 31 October and 1 November.

Recast is a bi-weekly newsletter exploring future visions for an inclusive and sustainable networked society (cast as perspective), the organizational models, roles, and methods that could get us there (cast as an ensemble of different roles), and prototypes for products, services, experiences that could lead the way (cast as molds). Recast is published by the Digital Society School at the Amsterdam University of Applied Sciences.

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CALENDAR
 

31 OKTOBER - 1 NOVEMBER

SOCIETY 5.0 FESTIVAL - SPECULATIVE FUTURES TRACK

The students’ thought experiments will be part of the “Speculative Futures” content track at the Society 5.0 Festival. This track explores hauntings from the past as well as imaginations from the future to support current decision making.  See below some of the highlights of the full program.

HAUNTINGS FROM THE PAST

Please join Maria Göransdotter and Mugdha Patil for an informative and interactive session about hauntings from design’s past to avoid making mistakes in our future (31 October at 11.15, in meeting room 2).

FUTURE FOOD FORMULA

Imagine… It’s 2030 and every kitchen is equipped with a hightech vertical farming device. You put a seed inside the breeding cell, download or create the growth-recipe of your liking, and watch your personalized vegetable come to life.

Ruben Baart from Next Nature Network will tell you more about his view on our next nature and the future of food (1 November, 11.15, Auditorium).

1 - 5 NOVEMBER | UTRECHT

IMPAKT FESTIVAL WITH CHELSEA MANNING

Activist and former U.S. Army intelligence analyst Chelsea Manning will open the IMPAKT Festival 2023: Our Terms, Our Conditions. Manning is world-famous for her role in exposing classified U.S. documents, for which she served seven years in prison. In 2022, she released her memoir README.txt, detailing her life before joining the army, her military career, her time in prison and her gender transition. Read more about the festival.

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SEEN, READ AND MADE IN OUR NETWORK

Food (In)Security Design
Jan Rod and Kenta Kondo from IDEO Tokyo joined forces to think about a future in which sustainable harvesting is normal. They talk about this example of Design Fiction in the wild in the latest episode of the Near Future Design Labratory podcast. Listen here.

Digital rights revisited
Director of Research Zuzanna Warso (Open Future Foundation) examines a rights-based approach to building digital public spaces. In her newest whitepaper she argues that creating truly public digital spaces is just as important as platform regulation and defending rights within current online ecosystems. Read more.

Water Nation: Natural disaster and memory
Director Kim Spierenburg explores how artistic practice and research can lead to more public engagement about issues like climate change. Her short film Water Nation (2023) deals with the big flood of 1953, de Watersnoodramp, which is considered the worst natural disaster in living memory in The Netherlands. It touches on what happens within us when we connect to our feelings and history.

Want to know more after watching the trailer? Participate in her workshop and see the whole movie at  Society 5.0 Festival.

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